A frustrating thing about Arabic is its plurals. English has a few words that change radically from their singular to plural forms: mouse to mice, loaf to loaves, tooth to teeth. In Arabic, about 41% of the mainstream nouns change radically to become plural (and adjectives do this too, wah!). The word for “prophet” in Arabic is nabii, but to become plural it becomes anbiyaa’. And that’s the title of today’s surah: The Prophets.
Who are the prophets? You might laugh that we are asking that at this point in the Quran, which has spent so much time listing and describing and enjoining and praising and validating the prophets. Yet here we are again, meeting the prophets. As usual it is in the context of establishing Muhammad as the latest iteration of a legacy of God reaching out to mankind. There is an economy of message in returning to this topic today. With a sweeping look at the prophetic line, the surah is able to reprove multiple points in its opponents’ theologies, assert its own theology, and set up its lore of inspirational figures.
Just this past week my husband introduced me to “The Prophet’s Song” by Brian May of Queen.
…And now I’m a little obsessed with it.
It so happens that the next surah I’ll be reviewing in my Quran series is called “The Prophets.” As I’m digesting and organizing my thoughts on that surah, this song resonated deep with my experience reading the Quran. The music and lyric content are so on point with the tone and themes, it’s just blowing my mind right now.
Look at those lyrics! Phrases like “cold night will fall…summoned by your own hand,” “these kings of beasts,” “married his own, his precious gain…and death all around will be your dowry,” “hopes of the young in troubled graves,” “So grey is the face of every mortal,” scream loud to me. The prophet condemns the world for having lost its grasp of love and charity in its love for material things. There is a call to purge in order to reap a fortune of peace. The rejectors who rely on their treasure are guaranteed destruction and a destination in hell.
And yet, while this song fits the Quran to a T, it clearly is derived from Genesis imagery. Then again, its vision of prophethood doesn’t derive from Genesis at all. This song comes from an understanding of apocalyptic prophethood, and it is very interesting to pause for a moment and recognize how ingeniously Brian May writes his own apocalypse in much the same way as biblical prophets. Continue reading