A popular talking point between Muslims and Christians is the very different nature of the history of their sacred text verses ours (which from my vantage means Quranic textual history vs. New Testament textual history). The Christian canon weathers rigorous academic criticism that batters and breaks the faith of many Christians who want to feel certain of a scripture untouched by human hands. And because The West is broadly post-Christian, there is a lot of interest, history, and groundwork in textual criticism with which to challenge and test Christian self-narratives that might’ve otherwise gone untested. Many Muslims on the internet are delighted to walk into this post-Christian territory and find that the work of challenging Christian scripture is already well-worked and popularized in our culture.
But what happens when those tools so well sharpened on Christian manuscripts get turned to the Quran? Enter Textual Criticism and Qur’an Manuscripts by Keith E. Small. My review in short: a very interesting exercise in manuscript academia, but too reliant on other resources to be useful to non-academics.
“Well, the Bible has that too,” is a common response people have when you try and discuss the question of weird passages in the Quran. It is a pretty solid way to shut down the conversation. This is not because it is necessarily a good point of contention, but because it reveals a wide chasm of understanding that must be bridged before the conversation can be resumed. It reveals a lack of knowledge of the individual nature of religious documents and an assumption that “Sacred Scripture” is a genre in which you can find the same general similarity of content, form, style, and intent.
Genre : a category of artistic, musical, or literary composition characterized by a particular style, form, or content.
“genre,” Merriam-Webster.com. Merriam-Webster, 2019. Web. 13 September 2019.
Sacred scripture is an incredibly diverse category. If I was to submit a definition for “scripture,” it would be “any writings set apart and given authority by a group of people to determine their culture.” The nature of the writings can have a lot of variety, and furthermore there is even more variety in how its adherents set about interpreting and implementing it. I wish I could tell you something about all the Sacred Scriptures out there, but my experience as of writing this is only with the Bible, two-thirds of the Quran, and a smidge of Book of Mormon. But material in the Christian Bible alone is diverse enough to examine the variety I’m describing. So let’s take a look at the Bible: what genres does it contain? What materials does it use? What attitudes do its adherents hold about those materials? And why does this matter when comparing religious documents?
Just this past week my husband introduced me to “The Prophet’s Song” by Brian May of Queen.
…And now I’m a little obsessed with it.
It so happens that the next surah I’ll be reviewing in my Quran series is called “The Prophets.” As I’m digesting and organizing my thoughts on that surah, this song resonated deep with my experience reading the Quran. The music and lyric content are so on point with the tone and themes, it’s just blowing my mind right now.
Look at those lyrics! Phrases like “cold night will fall…summoned by your own hand,” “these kings of beasts,” “married his own, his precious gain…and death all around will be your dowry,” “hopes of the young in troubled graves,” “So grey is the face of every mortal,” scream loud to me. The prophet condemns the world for having lost its grasp of love and charity in its love for material things. There is a call to purge in order to reap a fortune of peace. The rejectors who rely on their treasure are guaranteed destruction and a destination in hell.
And yet, while this song fits the Quran to a T, it clearly is derived from Genesis imagery. Then again, its vision of prophethood doesn’t derive from Genesis at all. This song comes from an understanding of apocalyptic prophethood, and it is very interesting to pause for a moment and recognize how ingeniously Brian May writes his own apocalypse in much the same way as biblical prophets. Continue reading “The Prophet’s Song”→