With the significance of the rise of Islam and my focused examination on its inciting document, it’s easy to lose view of the fact that Muhammad’s ministry was for a long time just a tiny remote squabble on the fringes of civilization. Indeed, news of Muhammad’s activity hardly rippled into the broader world as far as we can see in surviving records. It wasn’t until Muhammad’s state erupted from the Arabian Penninsula after Muhammad’s death that chroniclers were forced to take notice. Though the rise of Islam would have the most significance in hindsight, the real battle of the fates as thought at the time was between the (Eastern) Romans and (Sasanid) Persians.
Though Mecca was a remote oasis location, it still was connected to the bigger world through trade and felt the ripples of those politics. In today’s surah, Ar-Rum, “The Romans,” we’re going to see fleeting peek of the world politics surrounding the Quran. Yet still, the Quran’s fight was with Mecca primarily, all the more so because today’s surah was still revealed in relation to Meccan conflicts. While the surah starts with this glimpse of larger politics, its substance promptly returns to Meccan fare.
With Halloween today, I decided to take the liberty and promote the content of someone else whose field of expertise is very relevant to the hallowed theme of this eve: death.
Death is something that our culture has sensationalized and stigmatized. In both these extremes, we have little sense of the pragmatic realities of our bodies after we die. Caitlyn Doughty’s campaign of corpse education asks people to grasp the truth that corpses are humans too, and to reflect on how our thoughts and feelings about corpses reflect that which we recognize and wish to forget about our humanity.
So that’s my recommend, but if you want more today, I have a little spooky story too…
Two years of semi-weekly writing, 57 posts written, two-thirds of the way through the Quran, 29 suwar down and…
…85 suwar to go.
Okay, sorry for reusing that joke, but it is a real weight on my mind these days. I walked into this Quran project blind and unprepared. I tried preparing, but what can I say? Like getting a Skittle in a bowl of M&Ms, Google choked on my sudden interest in this niche of Quran scholarship and didn’t know what search results to feed me. I went into this project terribly unaware of the effort it would require of me and just how slow the project would go. By my original thought, there are 114 suwar in the Quran, and if I went through those at roughly a weekly pace I would get through them all in a little over two years.
Two years later I still have at least two years of work ahead of me, and I’m afraid it is growing degrees more frustrating and joyless. So what should I do?
“What I looked for in a wife,” as told by a grown man to a group of young teenage girls. There is something rather wince worthy about having older men tell young girls what qualities they should adopt to be attractive in his eyes, but I’m afraid as a young Christian teenage girl, one is rather inundated with such speeches. And while some points about maintaining one’s female attractiveness are rather self-serving for men to preach, I will defend that four out of every five points are usually universal human values. Good work ethic, a habit of self-care, cleanliness, empathy for other people –qualities that are universally good whether applied to a man or woman. And in some sense it’s a practical strategy to try and harness a teenage girl’s excitement for romance to motivate them towards thoughtful self-improvement. Surely there are better ways of doing that than having a grown man teach it to them, but it’s what happens.
There was one man whose version of this lecture I heard many times. I didn’t mind it so much from him, because of his list of ten things, nine were of that general good character type. But then, at the very end, was his last point: that she must be mysterious.
Surah al-ʕankabuut, “The Spider,” is traditionally labeled as a Meccan surah, that phase of Muhammad’s ministry where he was trying to reform his hometown and being suppressed by its mainstream community. Yet as I read, there were things in the surah that struck me as more relevant to Muhammad’s Medinian ministry: concern about hypocrites, passing references to conflicts with People of the Book, emigration, and striving. So I looked up the traditional chronology and found this surah is placed as the penultimate surah Muhammad revealed in Mecca. This is interesting, because it reinforces my impression that this surah captures a state of transition in Muhammad’s ministry.
Muhammad’s ministry is changing, so how did that start to happen?
“Well, the Bible has that too,” is a common response people have when you try and discuss the question of weird passages in the Quran. It is a pretty solid way to shut down the conversation. This is not because it is necessarily a good point of contention, but because it reveals a wide chasm of understanding that must be bridged before the conversation can be resumed. It reveals a lack of knowledge of the individual nature of religious documents and an assumption that “Sacred Scripture” is a genre in which you can find the same general similarity of content, form, style, and intent.
Genre : a category of artistic, musical, or literary composition characterized by a particular style, form, or content.
“genre,” Merriam-Webster.com. Merriam-Webster, 2019. Web. 13 September 2019.
Sacred scripture is an incredibly diverse category. If I was to submit a definition for “scripture,” it would be “any writings set apart and given authority by a group of people to determine their culture.” The nature of the writings can have a lot of variety, and furthermore there is even more variety in how its adherents set about interpreting and implementing it. I wish I could tell you something about all the Sacred Scriptures out there, but my experience as of writing this is only with the Bible, two-thirds of the Quran, and a smidge of Book of Mormon. But material in the Christian Bible alone is diverse enough to examine the variety I’m describing. So let’s take a look at the Bible: what genres does it contain? What materials does it use? What attitudes do its adherents hold about those materials? And why does this matter when comparing religious documents?
While the past two posts have been full of tidbits and curiosities concerning the story of Moses, Surah al-Qaṣaṣ, “The Stories,” contains more than just content relating to Moses. In today’s post I’ll address some final points and a new story in the surah, but one that is also vaguely Biblical. Why does the Quran spend so much time retelling Biblical material? Is it trying to appeal to Jew and Christians through their own stories? Is it deliberately redacting those stories to correct Jews and Christians? Or it is just laying out exposition with the preppy conceit of saying “I know stuff too, you guys”?
The Quran lays out its narratives with an agenda. It is never short of didactic intent. Is there one agenda that explains the odd set of stories in this surah?